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Petersburg) have never been fully researched, and neither has the complete history of Akzidenz Grotesk been written yet. The deals between foundries (by 1924 Berthold had bought 17 foundries, in Prague, Riga, Stuttgart, Leipzig, Moscow and St. Berthold did take different fonts from all the foundries they bought (and obviously also made deal without buying a foundry) and rename them until they got a family together which still showed the original influences, sometimes even from size to size.
Popplbaum was not bought by Berthold until 1926. GG Lange always claimed that Berthold had taken some AG weights and sizes from Popplbaum in Vienna, and that is supposed to account for the release date of 1896 or 1898. These had some sizes (but not all) recut under the direction of G?nter Gerhard Lange, who was their (freelance) artistic director at the time.
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That only changed when they cut Series 57, and then Series 58, named for the years of release. It was mainly a marketing and naming success. The original series remained quite divers, individual weights showing not much resemblance but in name. Every foundry had a version of that type of face, more often than not available in a few sizes only. They kept adding weights, some of them from other faces, acquired from other foundries. Berthold acquired a typeface in 1908, (when they bought Ferd.Theinhardt) which they released as Akzidenz Grotesk Halbfett (medium). Berthold Akzidenz Grotesk BE Bold Extended Berthold. Berthold Akzidenz Grotesk BE Medium Condensed Italic Berthold. Berthold Akzidenz Grotesk BE Regular Berthold.
Berthold Akzidenz Grotesk BE ExtraBold Condensed Berthold. It was the first sans-serif typeface to ever be widely used and it later influenced the design of Helvetica. 429, which was most likely released in 1954, Akzidenz Grotesk Mager (light) was still referred to as Royal Grotesk, in brackets. Berthold Akzidenz Grotesk BE Light Extended Berthold. Akzidenz Grotesk is a grotesque sans-serif typeface that dates back to 1896. One of the contemporaries of AG was Royal Grotesk from Theinhardt. It was obviously based on faces already offered by other foundries, some of which were later taken over by Berthold.
#Berthold akzidenz grotesk be bold condensed download#
Download the berthold akzidenz grotesk be font family for. AG57 is a digitization of Lange’s 1957 reworking, by Alexander Roth and Erik Spiekermann, released in a single style by Neue Neue in March 2022.Akzidenz (sic) Grotesk was released by Berthold in Berlin in 1898, according to their own literature. Download the berthold akzidenz grotesk be font family, which contains 3 fonts in various styles, including bold, roman and roman italic. CastleType’s Standard CT and Bryce Wilner’s Standard (2017) are digital interpretations that use the export name.
#Berthold akzidenz grotesk be bold condensed pro#
Akzidenz Grotesk Pro (2007) adds Cyrillics (by Vladimir Yefimov, Condensed by Gayaneh Bagdasaryan) and Greek (by Panos Haratzopoulos). Berthold’s digitization was reworked as Akzidenz-Grotesk Next (2006).
Linotype’s digital version was renamed to Basic Commercial for trademark reasons. Distributed in the US and UK as Standard and commonly used in the 1950s–60s.ĪG Old Face (1984) is a redrawing made for phototypesetting that returns to the original forms prior to the 1950s homogenization.Ĭopied by Scangraphic as Ad Grotesk and by Bitstream as Gothic 725.
Lange regarded Royal-Groteskas the key source and credited it to Ferdinand Theinhardt, but that is refuted, see Eckehart Schumacher-Gebler’s article in Schriftgestalten (2008), Indra Kupferschmid’s blog post, and, most detailed, Dan Reynolds’s article and lecture (2019). Many loosely related styles from various sources were incorporated into the family, see also Akzidenz-Grotesk Condensed. Try a search!įirst issued by Berthold in 1898 as Accidenz-Grotesk.